ENGLISH

EXPERIENCE
2011:

- Short film "Tout comme les princes" Claude Schmitz, selfprod (sound)

- Short film "Ganja ! " Adil El Arbi and Bilall Fallah, Arabesque ASBL (sound)

- Long métrage "8 Hours" Alan Delabie, autoprod (sound)

- Short film "Chasse interdite" Julien Libert, Les atelier INRACI (Boom Operator)

- Short film "Maman" Paul-Emile Baudour, Les atelier INRACI (Boom Operator)

- Short film "Malheur au vaincu" Etienne Vaudrey, Kino Kabaret (Boom Operator)

- Short film "Point de confluence" Emmanuel Russeil, McFly Prod (sound)

- Short film "La vie est belge" Quentin Descottes, selfprod (Boom Operator)
- Making of "Training in film animation in Kinshasa, studio Malembe Maa (sound)
- Feature film preparation in the preproduction of animated feature "Ngando" Jean-Michel Kibushi, Studio Malembe Maa (sound)
- Live Merco Benzo, Kultuurkaffee (PA)
- Short film "Matter of Constentin Van Pel, Snakou Pictures (sound)
- Multiple TV magazines for TV Brussels as a freelancer (sound ENG)
- Short film "Les deux saveurs" Thierry Uyttenhoven, soft core, Noonz (cameraman)
- Short film "Where My Heart Is" Noureddine Zerrad, Noonz Movies (sound)


2010:
- Short film "Et Ceteara" Jeanne Scahaise, autoprod - (sound)
- Short film "Tremens" Adrien Francois Imagifilms, MSM Films - (boom operator)
- Short film documentary "Marcel" by Claude Deschamps, autoprod - (sound)
- Feature film "Jamal Disco" Farid Métioui MF Films - (boom operator)
- Feature film "CCDE" Cedryc of Ruth and Ernest Tembo, produced by la marraine ASBL - (boom operator)
- Pub "Try Again" by Constantin Van Pel, autoprod - (boom operator)
- Short Film "Voices" by Celine Fontesse, autoprod - (boom operator)
- Medium length film "Congo 50" Cedric Tabala produced by Ecoculture ASBL - (sound)
- Short film "Lilou" Pia Callewaert, les ateliers INRACI - (sound recording and mix)
- Short film "Ne pas toucher" by Vincent Blairon, les ateliers INRACI - (sound recording and mix)
- Short Film "Video Express" Boris Finn les ateliers INRACI - (sound recording and mix)
- Concert hip hop / reggae, Maison pour association (PA)
- Short film "Russian Roulette" Constantin Van Pel, autoprod - (Boom Operator)
- Making of "Clash" - (mix)
- TV show "Belgique Express" - (boom operator)
- Training at Classic 21 of 11 January to 16 March 2010
- Training at RTL Television 4 to 8 January 2010


2007 - 2009:
- Short film "La vielle dame et la guerre" by Claude Deschamps, autoprod - (sound)
- Short film "La tache" Pauline Caillet, les ateliers INRACI - (sound recording and mixing).
- Short Film "Fausse Alerte" by Nicolas Cloetens, les ateliers INRACI - (boom operator).
- Short film "H.E" Quentin Descottes, autoprod - (boom operator)
- Very short film "Cinema Now" Nicolas Baroud les ateliers INRACI - (sound recording).
- Very short film "le parfum d'yvonne" Greg Taildeman, les ateliers INRACI - (boom operator)
- Short film "Le mirroir" by Gregory Taildeman, autoprod - (boom operator)

SKILLS
- Good knowledge of microphones, types and uses.
- Practice of long pole.- Solder XLR- Placement and use microphones and HF transmitters
- Control consoles, analog and digital mixing.- Mixing software: Pro Tools 8 LE and HD.
- Software for music composition and arrangement: Ableton Live 8, Reason 4, Renoise.
- Limited knowledge of Photoshop CS3 and After Effects CS3 and FinalCut Pro
- Mixers, sound devices, Sonosax, SQN, Rolls ...
- Nagra V, Sound Devices 744 and 788T, Edirol R-44, Tascam, etc. ...

TRAINING
2007 - 2010: INRACI upper section cinematography (Distinction).
2001 - 2007: Athénée Royal Ernest Solvay Charleroi (6h math, language)

MISCELLANEOUS
- Speak French, English.
- I have good lighting concepts and framework, it is easy to resolve conflicts that may exist between the sound department and the image department during shooting
- Having practiced sound editing and mixing on several short, I am aware of the needs for a sound post production, and think about it constantly on the set.


PRESENTATION 
I have long been sensitive to the emotions conveyed through music and movies. I'mfed voraciously and I very quickly felt the need to create myself. I have thereforeexperienced some musical projects and continue to practice some instruments andespecially the computer-assisted composition.

It is when I finished lower secondary education that I asked myself about my future career. My taste in music and film led me to study sound engineering at INRACI and in this school that I really found a vocation for the job of sound engineer in the film.

Despite the highly technical aspect of my job there is, as in all aspects of film, apermanent artistic responsibility, we need to interpret the director's idea and turn it in the field, like an actor strives to play the role envisioned by the writer who wrote it.